The Lo Shu
The Lo Shu is
sometimes referred to via a number of different synonyms, for
example: The Pagua, The Ba-gua (pronounced Ba-gwa), The Bagua, The
Pa Kua. The difference between the Lo Shu and the Pa Kua can from
one perspective be boiled down to one thing: 8 versus 9.
The Pa Kua is an octagonal shaped symbol that
corresponds to the 4 cardinal compass points, the remaining 4
points being the intermediate directions (SouthWest, NorthWest,
NorthEast and SouthEast). The Pa Kua derives its significance from
the 8 trigrams of the I
Ching
Instead, the Lo Shu is in fact related to 9
particular numbers which combine to form the classic Lo Shu Magic
Square:
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Regardless which way you total the numbers, be it
horizontally, vertically or diagonally, the answer will always be
15.The sequence of squares is also associated with the trigrams of
the I Ching.
The Lo Shu is considered to have it's roots
established in the Lo Map and the 9 chamberedsymbology has given
rise to different systems of astrology in different cultures:
- The Nine House Astrology of China
- The Nine Star Ki of Japan
- The Mewas (birthmarks) of Tibetan astrology
There are a lot of differing histories, and in some
cases contradictory, versions of events in the history of Feng
Shui. Much of this can probably be attributed to the 'Chinese
Whisper' syndrome - whichgiven much of the history remains the same
- is testament to the sages throughout the ages who have passed
this knowledge down through the generations.
One of these histories is detailed in 2 main
parts:
Lo Shu History Version One, Part 1.
Some of the earliest writings on the subject of Feng Shui are
detailed in mythical tales about one of the firstsage kings - Fu
Hsi.
It is said that Fu Hsi sat on the banks of the
river Ho when a horse arose from it's waters bearing amark on it's
back called the Ho-tu. The Ho-tu described the inherent nature of
all things and has now come to be known asthe pre-heaven Bagua.
Part 2.
A later sage king known as Yu was tasked with stopping a great
flood. He observed a tortoise emerge from the flood waters with a
strange pattern on it's back - what we now refer to as the Lo Shu
aka the Later Heaven Bagua.
This pattern supercedesthe trigram arrangement of
the Pre Heaven Bagua and is used today - in this time. It is said
to help predict the phenomenaof change taking place after the
creation cycle predicted by the Pre Heaven Bagua. In Feng Shui, the
Lo Shu is used as anenergetic map and can be overlaid on building
layouts and the specific 'gua' (the section of the complete Bagua)
traits suchas colour or shape can be used to enhance and harmonize
the life of the occupant(s).
A second history of the Lo Shu is as follows:
According to one tradition, some two millenia prior to the common
era, a series of great floods threatened the peoples alongthe
Yellow river in China. Fu Hsi, an extradordinarily gifted man of
the time was tasked with improving the watercourse ofthe river and
thus averting impending disaster for those living close to the
river itself.
With his knowledge of engineeringand rivers, Fu Hsi
managed to avert disaster and as a direct result he was made
Emperor by the people as his actions hadled to the re-establishment
of order and an increase of wealth for all.
As Fu made the improvements to the river, it is
said he came across a tortoise (A symbol even then of long life and
happiness. Tortoises were believed to carry the force of the divine
and also messages from the divine.)and was overjoyed with the
discovery which to him boded well and would bring good fortune.
Looking closely at the tortoise,he noted a series
of interesting black and white markings on it's shell. They varied
in position and number, filling the different chambers of the shell
(common to tortoise shells). There were 9 chambers and each chamber
bore a different arrangement of the black and white straight lined
marks.
This appeared to Fu like a mathematical puzzle and
he interpretedthis as a divine sign. He developed a theory (both
through introspection and the consultation of various
contemporarysages) based on this encounter which could be applied
to nature and human actions.
As a result, this theory grew somewhat to one which
would embrace all systems of knowledge. This theory is said to be
at the foundations of the I Ching, Feng Shuiand indeed Nine Star Ki
astrology.
According to some Tibetan historical texts, the
tortoise Fu Hsi discovered was none other than an emanation of
theBodhisatttva Manjusri. Manjusri is recognised as being the
source of all knowledge (including astrology) in
Tibetantradition.
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